b-loud: Carolyn Jordan–With a Wink and a Smile
// December 3rd, 2009 // View Comments // b-loud
Meet British born artist Carolyn Jordan, a figurative and expressionist painter currently living and working in Provence. Carolyn’s art has a strong mediterranean influence and her accomplished draughtsmanship belies the underlying solitude of people, whether alone or in groups, facing the inevitability of their lives. She is a widely acclaimed artist, having exhibited her work internationally. We caught up with her this week:
“Born in Suffolk, educated in London at the Lyçée Français de Londres, then private schools in England and Switzerland, Carolyn Jordan won a scholarship to study at St. Martin’s School of Art. An allergy to sewing led her to spend more time in the life class than in the workroom and the following year she left England for France. Her portraits are rugged, realistic and uncompromising in their individuality.”
( Extract from The Osborne Gallery public relations, Grosvenor Street London WI – 1986)
“Probing, analytical portraits painted with a gritty ‘clin d’oeil’ (wink) that never leave the viewer indifferent.”
(Extract from ‘The London Portrait’.)
She has since shown at major galleries in London, Paris, the U.S. and been interviewed by Arte (French TV), France Culture (French radio), La Rai (Italian TV). Her works have appeared in many art journals and magazines across the world.
b-uncut: what was your first artwork?
CJ: The first artwork I remember was a painting I did of a circus for an art competition in a national newspaper that to my joy, I won. From then on there was no looking back. Although to my knowledge the work is not hanging on any museum wall my path was set in stone.
b-uncut: your favorite artwork?
CJ: Usually the latest because I feel I’ve moved on.
b-uncut: your most “hated” artwork?
CJ: Sometimes the latest one month later because I’m not certain I have!
b-uncut: what did it take to make it to where you are now? and who helped you along the way?
CJ: Blood, sweat and tears! I was a rebel daughter to very formal and disapproving parents. Mother preferred boys but to her dismay gave birth to two girls! I was expected to marry well – the ‘Season’ was, and still is an upper class invention akin to a marriage market from which I ran away (still a minor) to France, only to fall into the clutches of my ex-husband who continued the tradition of forbidding me to paint – only a little more violently. So it wasn’t till three children and one divorce later that I was, at last, able to PAINT !
I owe an undying debt of gratitude to my old friend and mentor, Jaro Hilbert who was never complacent in his criticism but who egged me on relentlessly. His confidence in my future as a painter, in spite of my ups and downs and the added difficulty of being the single Mother of three small children, gave me the impetus I needed at that time.
b-uncut: what are your methods? Your inspirations?
CJ: My inspirations are the human condition. My methods? as for a stage setting, or choreography, choosing the people I wish to represent then sometimes ‘placing’ them in a very different environment that may be in total contrast to their lives but I think the notion of solitude is omnipresent. My chaos series is a more journalistic approach to the gratuitous violence that threatens our civilisation and anger towards complacency.
I believe the personality of an artist will nearly always be there in the paintings – there has to be sincerity in art. I cannot find any sincerity in the so called works of art pushed down our throats and glorified by clueless and cynical art market profiteers calling themselves ‘experts’! Marcel Duchamps and Brit-Art have a lot to answer for…
b-uncut: the swear word you like the most ?
CJ: I haven’t made a decision yet but anything with a lot of hard consonants sounds satisfying.
b-uncut: the flaws you find most seductive in a man?
CJ: Oh, a man with no flaws at all – I will make up the difference for two.
b-uncut: the parental advice you didn’t follow?
CJ: In our family there was no advice – just commands that I did my best to disobey.
b-uncut: your least welcome talent?
CJ: getting too good on my computer – I already spend too much time on it and it takes me away from my work.
b-uncut: the person you’d like to be hated by ?
CJ: I’d hate to be hated by anyone – if there’s someone out there who does, I don’t want to know !
b-uncut: where do you see yourself in…
5 seconds?
CJ:Still trying to answer your questions.
5 minutes?
CJ:May have finished so back to my studio at last.
5 days?
CJ: Watching the sale of one of my paintings at auction and trying not to think of all the ridiculous things I’ve said in this interview!
5 months?
CJ: Hoping I don’t catch this infernal flu so I can go on painting
5 centuries?
CJ: If we haven’t succeeded in blowing ourselves up – hanging on museum walls of course.
Do we know you….Through my works, a bit perhaps but I look nothing like my paintings so people are thrown off course when they meet me.
Should we know you….I prefer to be known for my work. Even being photographed at my own shows (or being interviewed) brings me out in spots – I would prefer to be invisible.
Will we know you…. That depends on you – I am not very sociable.

























