Posts Tagged ‘online artist network’

An Art Saint: The Artist Who Rose from Depths of Hell With Faith In His Pocket

// June 9th, 2010 // View Comments // b-loud

b-uncut is proud to introduce you to Samuel Toussaint from our online artist network. Samuel was brought up in a working class, Christian family. By the age of 12 he was busking in the West End of London and by 20 he was homeless.

“I have moved around the English countryside and have been involved in the squatting, travelling and illegal rave scene. Throughout this time I have been involved with various theatres, community spaces, gatherings, art studios and projects. I now live and work in London with a group of artists who go by the name of Sage. I also teach art voluntarily to the homeless at my local church.”

Samuel’s work is deep and thoughtful, bearing the deep scars of a childhood caught between a faith in God who he loved with the hypocrisy of abusive behaviour to him from Christian caregivers.

“Here lies an imaginary landscape, a bridge between two worlds where I explore my own private mythological world. Death and the ability to change or not change are recurrent themes.”


What was your very first artwork?
I can’t remember at what age I first began painting. I was drawing and painting as a child. It is one of the first things that I can remember doing. I remember doing paintings when I was at nursery school.

Describe the piece you love the most—why?
At the moment I would say that it is the one that I have just finished, a painting entitled ‘My Beating Heart’. It’s like I ripped out my heart and threw it at the canvas. That is how much my art means to me. I like it because it is fresh and new and it combines everything that I have learnt so far in my journey into one piece.

What are your methods? Your inspirations?
I work with pen, paint, collage and computer software to create my unique style. I am inspired by my own internal universe and the ancient and contemporary world. My greatest influences are Leonardo DaVinci, Paul Klee and Marcel Duchamp.

What did it take to make it to where you are now?
A lot of pain and suffering, trial and tribulation and rejection. Losing my pride, my ego and my self confidence. Abuse, both self-abuse and that forced upon me by other people, homelessness, drug addiction, several complete break-downs, getting housed and getting clean. Returning to my belief in our saviour, Jesus Christ.

Do you make a living from your artwork?
I wouldn’t say that I make a living out of my artwork, no. I work part-time as a project designer because I do not make enough money from my art to live comfortably. I make enough from my artwork to keep me going and it adds somewhat to my income.

Who has helped you along the way?
There have been many sign-posts on the road. Most of them pointing in the wrong direction. The women in my life, my friends and my enemies. The teachers who, noticing my unique talent, encouraged and nurtured me. All the artists, writers, musicians etc. who create work of such exceptional quality. But most of all God.

What 5 artists (dead or alive) would you invite for the ultimate dinner party?
Well of course, the three artists that I have just previously mentioned and to that list I would add Pablo Picasso and Yoko Ono.

Your favourite curse?
Fuck!

Your biggest (albeit endearing) flaw?
Procrastination

Qualities a woman needs to seduce you and the flaws that will repel you?
Self-confidence and a free-thinking mind; Shallowness.

Your parents advice you should have followed, but didn’t?
All of it and none of it!

Your idea of the perfect weekend?
Spending the whole weekend in bed with my latest girlfriend.

Who would you chose to rule the world?
The one who created it.

Favorite ice-cream?
Ben and Jerry’s cookie and dough.

Where do you see yourself in…..
One month? painting!
One Year? painting!
One Decade? painting!

Obama and BP Oil Crisis: An Artist's Perspective

// June 8th, 2010 // View Comments // b-Crowd

At b-uncut we have one of the leading online artist networks. The success is due to our members. Their diversity and activity make b-uncut an exciting art eco-system where a plethora of interactions take place. Below is a great extract from a recent discussion I had with Kelvin Harvey on the BP oil crisis.

“I’m old enough to remember the Torre Canyon, and saw first hand the effects of the oil spill on the coast around where I live, which was black crude, much worse than ‘natural oil’ coming from the leak.

Yes this is a disaster for the region, and wild life in particular, but what annoys me is the blame game, Oblama seems intent on making BP the scapegoat, when it’s American policy to pursue oil exploration at all costs to limit it’s dependence on Middle East oil, after all, they consume more than 25% of the worlds resources, with only 6% of the worlds population.

Recently hidden deep in the news is the effects of the permanent gas fires in the Niger delta, where the equivalent of 25% of Britain’s gas needs are being burnt off, so great are the fires that they can be seen from space and the residents living in almost perpetual darkness, the tar oil open cast mining laying waste to a large chunk of the Canadian hinterland, destroying natural habitats on a greater scale, much of the production goes to the US.

In Brazil farmers are using ‘slash and burn’ methods to clear fields annually that were once rain forests to supply the US with beef ,soya and other crops, so much so that the CO2 emissions negate the savings currently envisaged by the G20, strangely Obama is silent on that….

Our dependence on exploiting the earth’s resources is so fundamental to everyday life, it is difficult to separate incidences such as the oil spill from everything else, as an artist I have a negative impact, acrylic paint is an oil derivative, oil paints require linseed (Brazil), canvas is usually from China and India, Charcoal generates, co2 both in the burning and releasing previously stored carbon trapped in the trees natural function. I use fuel to take work to exhibitions, working at night and using this computer to write this.

We all have an impact, the big question is, how do we manage it and compensate for accidents and bad practice whilst preserving our way of life and the aspirations of the so called third world, that is the 64,000 dollar question, and not to blame one company for an unfortunate accident, who I must say their efforts to resolve the problems have been exemplary, it may mean the end of BP in the long term which will allow I expect Chinese companies to take over their operations, and they bow to no one.

Sorry for the rant, but it’s the politics that stink here not the oil .

best regards Kelvin”

Painting The Elements of Magical Whimsy

// June 2nd, 2010 // View Comments // b-loud

Born in Agen, France, VéroniKaH currently lives and works in Montreal, Quebec. Her captivating paintings are exhibited and collected throughout Canada as well as the United States. She has been a part of our online artist community since April and her self-taught work proves passion and self-confidence is as commanding as a formal fine art education. If you fall for VéroniKaH’s work like us and want to use our crowdsourced artist network to commission an original go here.

Continually formulating and re-formulating her world through moving, poetic color and form, VéroniKaH connects with those around her through her melodic paintings. More than just a pleasurable pastime, VéroniKaH’s artistic practice is a therapeutic way to survive. However, her paintings consistently manage to evade solemn seriousness. Instead, she embraces a passionate palette of ruby, gold, and emerald, her paintings sparkling in their celebration of life.  Read the interview below.

“Most of the time I let my intuition decide what to do without really thinking about it….My technique is a continuous research of new visual effects never seen before.” VéroniKaH



What was your very first artwork?

First artwork was when I was 7 years old , drawing of a little girl under a tree

Describe the piece you love the most—why?
My abstract piece with blues.. reminds me of the ocean ,,, I love the beach and the sun

What are your methods? Your inspirations?
My method is a secret totally invented by me .. with Stained glass, acrylic and ink. I am inspired by my day to day live and the lives of my loves ones

What did it take to make it to where you are now?
I paint everyday since January 2008 , made more than 570 paintings, if you have a wide selection you can please more people

Do you make a living from your artwork?
I have 2 day job to support the creation of my collection . I am not there yet

Who has helped you along the way?
I didn’t have any help, just my husband who believes in me, helped me financially, I keep all my money for creation and he paid the bills for the family

What artists (dead or alive) would you invite for the ultimate dinner party?
Picasso , Van Gogh, Corno

Your favourite curse?
SHIT

Your biggest (albeit endearing) flaw?
too quick to respond

Qualities a woman needs to seduce you and the flaws that will repel you?
A man has to be sweet and affectionate but total turn off is if he thinks he can control me

Your parents advice you should have followed, but didn’t?
I followed all my parents advice but shouldn’t have !!!

Your idea of the perfect weekend?
At my house swimming in my pool and going dancing downtown Montreal in the evening with my husband.

Who would you chose to rule the world?
Nobody is strong enough to rule the world

Favourite ice-cream?
Vanilla ice cream with caramel and nuts

Where do you see yourself in…..
One month?

At my evening reception at La maison blanche Gallery

One Year?
I will have 2 or 3 more Galleries representing my collection

One Decade?
In one decade I will be an International Artist !!!

From War in Afganistan to Art Exhibitions in London

// May 26th, 2010 // View Comments // b-loud

Shikyba Azizi has a tough story to tell and she creates tense, bloody work. She uses unique techniques to create these striking graphical images that speak of the conflicts she escaped. Shikyba joined our online artist network in January and we were immediately struck by the raw and radical intensity. Shikyba is exhibiting in London till the 15th June in The Spring Show at The Gallery at Willesden Green Library Centre. Read the fascinating interview below.

What was your very first artwork?
When I was young I drew flowers or butterflies for fun in a corner of my notebooks and presented my homework in creative way to my teachers. I did not train in school how to draw or paint. We had art class but they didn’t encourage the students to improve their skills. I was interested in art so I decided to do Fine Art when I finished secondary school. When I started my BA course in Fine Art in 1990 I was the youngest and least skilled student in my class. Everyone had very good skills because they had a family member to help them or they took courses before enrolling. So it was a bit hard for me to reach their level and learn the techniques, but I tried.
We had to study the human body and draw from life but we were not allowed to draw the body without clothes. I drew an ear of one of my classmates. When my tutor saw it, he said to the class very loudly “Shikyba’s gonna be a good artist soon”. (Unfortunately I have not got the drawing)

Describe the piece you love the most—why?
The piece that I love most is the forth from a series of five the drawings, ‘Prisoner inside the veil’ which is an image of a woman covered by a bloody pigeon on her head and its blood spread on her face and her neck twisted tight with lines. I love it because she is disturbed by all these thing but she is still solid and gazing at the viewers.

What are your methods? Your inspirations?
I get my ideas from my personal experiences in past and present. To expand them I also read history books and poems which wrote about the tyranny of war.
I mostly use monochromatic materials for my work both in my sculptures and drawings. My sculpture works are constructed using black fabric and wire. I cut a piece of fabric and pull it around the wire to give it a shape. In my drawings I use ink and spread it on white fabric with a string which is interwoven with metal.




What did it take to make it to where you are now?

Passionate in art and access to art materials. When I started my course, I was interested in art but not passionate about it. I wanted to complete my course and become teacher in my homeland. Unfortunately I did not and we had to stay at home and do nothing because of the war. Day after day the situation was getting worse and worse and we were surrounded by the conflict. In that time I wanted to draw, not a flower or a butterfly, but dead bodies, boundaries, distorted and bloodied faces. Living in the four walls completely changed me. I became pessimistic. I started to draw and express myself inside my brain because there was no paper to draw on. That’s until we had to leave my homeland and live in London in 2000. I started my studies again, graduated and now have a small studio space and I work very hard to buy materials and create artwork.

Do you make a living from your artwork?
Not at all.

Who has helped you along the way?
Financially my brother and emotionally my sister, but in the art world no one.

What 5 artists (dead or alive) would you invite for the ultimate dinner party?
Pablo Picasso, Willem de Kooning, Mona Hatoum, Doris Salcedo and Jackson Pollock

Your favourite curse?
I curse the evil of the world which destroys our freedom.

Your biggest (albeit endearing) flaw?
Spoken communication

Qualities a man needs to seduce you and the flaws that will repel you?
Understanding and respect / Neglect

Your parents advice you should have followed, but didn’t?
Sadly My father past away when I was two years old and my mother got married and left me when I was five or six so I do not remember if they told me what to do. My brother brought me up and I respect him as my father. He always says that I should not make art, but I do.

Your idea of the perfect weekend?
Sleeping until 10am, taking bath and having a good food and visiting friends and galleries.

Who would you chose to rule the world?
Superman or if I had a super-natural power to make the world free by cleaning up the lines on the map.

Favourite ice-cream?
All types.

Where do you see yourself in…..
One month?
In willesden Gallery in London and then at Kabul university in Afghanistan.
One Year?
In my studio in London and galleries
One Decade?
In world wide places, in my studio and galleries………………….

Join our crowd of artists here

Mark Robinson: Getting to the Roots

// May 19th, 2010 // View Comments // b-loud

Mark Robinson is a young fine artist studying at Manchester Metropolitan University. With influences spanning millennia his work exists as contemporary and ancient. Mark’s raw talent is clear and he is one to follow. His motto is ‘art for all’; not wanting to put up restrictions on art and hoping that there’s something in his paintings and drawings that appeals to everyone. He has been a welcome addition to our online artist network since April 2010. We’re very excited to see what he does next!

What was your very first artwork?

I used to always do little doodles on post-it notes; my girlfriend found them and said I should create these drawings on a larger scale. This was how I became interested in art and was the starting point for the style of work I’ve developed.

Describe the piece you love the most—why?

My favourite piece is titled Father. This is the most painful but rewarding piece I have created so far because it is about my father having cancer; he lost his battle last year. I found it strange that something can live inside a person slowly taking their life yet under a microscope it can look so beautiful.

What are your methods? Your inspirations?

I’m inspired by primitive, African art and 1980s graffiti. This influences the style of my painting but I also work quite spontaneously. I sometimes describe the way I paint as “pouring my imagination onto canvas”. Sometimes my artwork is very personal like the work about my father’s battle with cancer. Making art helped me to deal with it. His passing has made me more determined to do well at University and become a successful practicing artist.
In the future I hope my work will appeal to everyone and they can get some kind of enjoyment from it. I don’t want to alienate anybody from my art. I say “art for all!”

What did it take to make it to where you are now?

Passion for art, hard work and an open mind. Enjoying my work, having fun making it.

Do you make a living from your artwork?

No not yet, I’m still an art student.

Who has helped you along the way?

My family and my girlfriend always push me to work hard and to be the best that I can be.

What 5 artists (dead or alive) would you invite for the ultimate dinner party?

Donald Baechler, Jean Dubuffet, Keith Haring, Jean Michel Basquiat, Pablo Picasso

Your favourite curse?
ARSE

Your biggest (albeit endearing) flaw?
Having a big ego :-)

Qualities a woman needs to seduce you and the flaws that will repel you?
Making me laugh/Not making me laugh

Your parents advice you should have followed, but didn’t?
Get a real job (joke)

Your idea of the perfect weekend?
New York New York

Who would you chose to rule the world?
Karl Pilkington

Favourite ice-cream?
Cookies and cream

Where do you see yourself in…..One month?
In New York

One Year?
Finishing my degree

One Decade?
An established artist

And the Guerillas say "Let there be Light!"

// May 18th, 2010 // View Comments // b-street

BillBORED is a viral art initiative to empower people. It goes to show what artists can use to exhibit these days. Now go, project your own art gallery and drive it where you please……






Join our artist network here. Buy art online here.

SPICY HOT GRAFFITI: ROA, Sten & Lex and DAN23

// May 14th, 2010 // View Comments // b-street

Feast your eyes on this animation from the legendary artist ROA.

Graffiti gone massive with TOTTI-WOLF by Sten and Lex.

Live Splats, Sprays and Strokes from Dan 23

Join our online artists network here